By Katrin Kogman-Appel, Mati Meyer
The 19 essays assembled during this Festschrift characterize the multiplicity of pursuits obvious in Elisabeth (Elisheva) Revel-Neher's paintings. They conceal numerous topics facing pictorial messages encrypted in numerous creative media, and deal with a large array of subject matters: Jewish id within the past due old interval; patronage in overdue vintage Jewish and Christian non secular structure; Jewish-Christian polemics and the illustration of the 'Other'; the query of Jewish or Christian illuminators of Hebrew books; the cultural historical past of illustrations in Hebrew manuscripts; Christian cosmology and dogma; the imagery of the Temple within the chapters; and, Jewish and Christian perceptions of women.The individuals are Rivka Ben-Sasson, Walter Cahn, Evelyn Cohen, Andreina Contessa, Eva Frojmovic, Lihi Habas, Dalia-Ruth Halperin, Colum Hourihane, Emma Maayan-Fanar, Herbert L. Kessler, Katrin Kogman-Appel, Shulamit Laderman, Mati Meyer, Bezalel Narkiss, Kurt Schubert, Sarit Shalev-Eyni, Margo Stroumsa-Uzan and Rina Talgam.
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Additional info for Between Judaism and Christianity: Art Historical Essays in Honor of Elisheva (Elisabeth) Revel-Neher (The Medieval Mediterranean, Volume 81)
1981), “A Jewish Gold-Glass Medallion from Rome,” in: Israel Exploration Journal Readers, ed. H. Orlinsky (New York: 1981), 666–671. Beyer, H. , and Leitzmann, H. (1930), Die jüdische Katakombe der Villa Torlonia in Rom (Berlin and Leipzig: 1930). Blidstein, G. (1972), “A Roman Gift of Strenae to the Patriarch Juda II,” Israel Exploration Journal 22 (1972), 150–152. , ed. (1996), Vedere i Classici. L’illustrazione libraria dei testi antichi dall’eta romana ad tardo medioevo, Biblioteca Apostolica Vaticana Exhibition Catalogue (Rome: 1996).
1. Lattice pattern of elongated white scales with polychrome rosebuds in their center, decorating one of the carpets found in the Nile Festival Building. Fig. 2. Huntress and male warrior depicted in a panel installed next to the conjectured eastern entrance, inside the basilical hall of the Nile Festival Building. Fig. 3. Two naked hunters standing beside a tree with a wild boar at their feet; found in a panel located at the other side of the entrance to the basilical hall of the Nile Festival Building.
6 4 Exodus Rabbah, par. 1:26 on Ex. 2:10; Shinan (1984), 82. Josephus Flavius, Contra Apionem 2:14; Thackeray (1926), vol. 1, 351. 6 Philo of Alexandria, De vita Mosis 1:21; Colson and Whitaker (1962), vol. 6, 286–287. indd 44 6/27/2008 5:02:48 PM jewish art in late antiquity 45 And elsewhere: And therefore it seems that some Grecian legislators did well when they copied from the most sacred tables of Moses the enactment that hearing is not accepted as evidence. .