Symbolism, Its Origins and Its Consequences by Rosina Neginsky

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By Rosina Neginsky

The idea of the emblem is on the root of the Symbolist flow, yet this image isn't like how it was once used and understood within the heart a long time and Renaissance. within the Symbolist move, a logo isn't really an allegory. The Belgian author Maurice Maeterlinck outlined its essence in an editorial that seemed on April 24, 1887, in L’Art moderne. He wrote that the concept of a logo within the Symbolist circulate is the other of the thought of the logo in classical utilization: rather than going from the summary to the concrete (Venus, incarnated within the statue, represents love), it is going from the concrete to the summary, from “what is obvious, heard, felt, tasted, and sensed to the evocation of the idea.”

This quantity makes an attempt to offer a glimpse into the ability of the Symbolist move and the character of its basic and interdisciplinary position within the evolution of paintings and literature of the 20 th century. It files the reviews of a gaggle of students, who met and mentioned those issues jointly for the 1st time in 2009. whereas illuminating the specificity of Symbolism in paintings, structure and literature in numerous ecu nations, those articles additionally show the the most important function of French Symbolism within the improvement of the overseas Symbolist circulation.

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Extra resources for Symbolism, Its Origins and Its Consequences

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20 The Pre-Raphaelite movement was also a literary movement. Dante Gabriel Rossetti was not only a painter, he was also a poet and an editor of the Pre-Raphaelite journal The Germ, which, among other publications, stated the precepts of the movement. His sister Christina, a very talented poet, also participated in the meetings of the Pre-Raphaelites, and her poetic works reflect the spirit of the movement. The work of the PreRaphaelites, together with Baudelaire’s poetry, had an impact on the English poet Algernon Charles Swinburne, who is considered one of the most important English Symbolist poets.

James Bertrand, Galatée et son amant surpris par le cyclope Polyphème, Salon de 1879, Saint-Etienne, musée d’art moderne. Photo du musée. 30 Chapter One Fig. 1-5 Gustave Moreau, Etudes pour Polyphème , Paris, musée Gustave Moreau , Des. 12469. o=&Total=1&FP=14375990&E =2K1KTS2LVS9RG&SID=2K1KTS2LVS9RG&New=T&Pic=1&SubE= 2C6NU0GJR5MZ. Fig. 1- 6. Gustave Moreau, Galatée, Paris, musée Gustave Moreau , Cat. 100. php. Notes 1 See for example exhibition catalogues: Maison d’artiste, maison musée. ; Geneviève Lacambre, Maison d’artiste, maison musée.

32 Bourg-en-Bresse, musée de Brou. See for example Paris, Archives nationales, F/21 99. 33 Inv. 13836. 34 Arch. GM 500. , 225. See for example Des. 65 and Des 3513. 36 See Art. cit. note 2, supra, repr. fig 9, 348. 37 Des. 674 and Des 373. 38 Cat. 445. 39 Cat. 19 (enlarged in 1881). 40 Paris, musée d’Orsay. 41 Cat. 339 et Cat. 526. 42 Paris, musée d’Orsay. 43 Des. 2021 et Inv. 13961. 44 Cat. 38. 45 Cat. 17. 46 Los Angeles, The Jean P. Getty Museum . 47 Paris, musée d’Orsay. 48 Des. 4318. 49 Cham, “Une promenade au Salon,” Le Charivari, May 15, 1864.

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